Description

Referencing both contemporary media practices and Magritte’s famous painting The Treachery Of Images (La trahison des images), Cape of Good Hope, South Africa, 19 th September 2003 (Ceci n’est pas une Soucoupe en Vol) presents a fantastic image framed plausibly. As the treatment of fictional and factual content converges in the mainstream media, our responses to media representations become ambivalent.